What’s up with me:  Past entries

 

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(Entries for the year 2004 can be found here; those for 2003 can be found here.)

 

 

 

Posted on 12/20/05:

   Greetings to you all from a coffee shop in snowy Minnesota, and best wishes for a merry Christmas and happy New Years.  I've just arrived here from the SSRC Japan Studies Dissertation Workshop in Monterey, California, right on Asilomar State Beach.  The workshop was a lovely experience:  I felt privileged to get to know twelve in-the-works dissertation projects and their authors, as well as my faculty counterparts.  The week left me feeling energized and hopeful about the field.
   The week got off to a bumpy start, however.  As I boarded the tiny plane that was supposed to take me from Los Angeles to Monterey, I found an older woman sitting in my seat.  She looked a bit like Mrs. Howell from the old "Gilligan's Isle" TV series:  owlish glasses, puffy hair, a vaguely confused air about her.  In my utterly jet-lagged state, her presence in seat 3A confronted my mind with an incomprehensible puzzle, and so I just blurted out, "I think you're in my seat."  This set into motion a remarkable, Seinfeld-like series of events that involved a grumpy flight attendant (United Express, are you listening?), several unsuccessful attempts to relocate the woman's bulky carry-on bag, forcing a man with a bad leg to stand up and make way for the woman to squeeze past him into her rightful seat, and a long line of increasingly unhappy passengers behind me in the aisle, unable to make their way past us until the whole comedy of errors had played itself out.  I spent the entire flight hiding behind my book to avoid the resentful stares coming from various directions.  I then proceeded to bump into the woman several times over the following days, since she was of course staying at the same hotel as me.  Sigh.  As Brian Wilson says, I guess I just wasn't made for these times.....
   The family joins me here in Saint Paul in a few days, and it should be a lovely white Christmas.  If I find anyone sitting in my place during the rest of my travels, I will just shut up and stand for the remainder of the trip.  Hell, I like standing up. 

 

Posted on 12/14/05:

     The week has seen the battering of the Japanese public's faith in its own institutions.  Television news and talk shows are obsessed with the rapidly expanding scandal that revolves around the falsification of earthquake safety data in recently constructed buildings.  Now nobody feels certain that their own homes are safe.  On top of that, the Mizuho Bank made an extraordinary error that threatened to throw the stock market into a panic:  a client asked them to sell 1 share of J-Com stock at 610,000 yen (a little more than US$5,000), but the company instead registered a sale of 610,000 shares at 1 yen each.  It's going to cost the bank nearly a billion dollars to correct its error, which also revealed the woeful inadequacy of the computer infrastructure at the Tokyo Stock Exchange.  It should have caught the fact that, among other things, there are only about 140,000 shares of J-Com in existence.  While all this was going on, we also have had a string of grisly murders of children in Japan over the last several weeks, setting everyone on edge.  My daughter's school has held meetings and sent home several flyers on new safety precautions.
     But in fact I am in Los Angeles as I write these words, enjoying the warm sunshine.  I had a Ph.D. exam and other UCLA business to take care of.  I've been able to catch up with many colleagues and students, eat some of my favorite foods (e.g., genuine American Cheetohs, which are infinitely preferable to their Japanese counterparts), and visit the old friends who reside on the bookshelves in my campus office.  I paid a call on the
UCLA Hammer Museum and saw their current exhibits on Frank Lloyd Wright's fascination with Japanese woodblock prints, and on the art of the American newspaper comic strip.  The latter was quite striking:  I never knew how stunning such early strips as "Terry and the Pirates," "Krazy Kat" and "Gasoline Alley" were.  All sorts of techniques I'd thought were recent innovations--e.g., the breaking of the frame of Sunday morning strips in "Bloom County" or the psychedelic use of colors in animation like Yellow Submarine--turn out to be tributes to the work of the pioneers in the field from the 1910s and 20s.

 

Posted on 12/4/05:

     I found myself in Shibuya twice this week -- once on Tuesday night to have dinner with friends from the graduate program at Cornell University, and again on Thursday afternoon to take in Takeshis', the new film by Kitano Takeshi.  When I first came to Japan, Shibuya was a home-away-from-home for me; I was in my early twenties then, and already felt too old for the Harajuku area.  But Shibuya with its crowded streets, its CD shops, cinemas, pubs, and cafes, felt just right.  I used to work in television back then, and so I was also a frequent visitor to NHK headquarters, located just a ten minute walk from Shibuya station. 
      Now, however, I feel like an anthropologist when I visit the place:  the fashions have long passed me by.  I still like to do my CD shopping there, but I think the clerks at Tower and HMV are mostly bemused to have a middle-aged foreign man browsing through the latest J-Pop CDs.  The Tokyo neighborhood that works best for me now is Shinjuku, but I am already starting to feel my age there, as well.  Where do I go next?  Ginza, I suppose--and then the Tama Reien cemetery that's just down the street from our house.....
       I managed to catch the enormous
Hokusai exhibit at the Tokyo National Museum in Ueno Park this week.  It was packed the day I went--I had to wait in line thirty minutes just to get into the building. Luckily, however, I'm a few inches taller than the average Tokyo museum goer, so I could skate along at the back of the crowds that surrounded each picture and still enjoy a mostly unobstructed view.  The week also brought the welcome news that Kotooshu, the Bulgarian sumo wrestler, had in fact won promotion to the second highest rank of ozeki.  I already have my ticket for the last day of the January sumo tournament here in Tokyo....

 

Posted on 11/28/05:

   I spent much of the past week on the road.  On Monday, I took the train out to Yamanashi prefecture, where I spoke about Natsume Sôseki's experiences in London and checked in on the University of California exchange students at Tsuru University.  While there, I was treated to an extraordinary dinner, a remarkable feast prepared by one of the professors of Japanese literature.  On Thursday, I traveled to Kyoto, where the fall colors were still quite lovely.  I visited Dôshisha University just in time to see them decorate an enormous Christmas tree, which was featured on NHK the following morning, and in the evening I served Thanksgiving turkey to a group of about thirty students.  After hours, I managed to sneak in a visit with an old friend to a French bistro along the Kamo river--very nice.  On Friday I was up in Sendai on my old stomping grounds, Tôhoku University.  The week closed much as it began, with Natsume Sôseki:  one of my former professors there showed me a postcard that Sôseki had sent, complete with a watercolor sketch of some lilies. 
     My family joined me in Sendai, and we had a nice weekend in the company of my in-laws.  The kids enjoyed working in the garden--they trimmed some trees, weeded, and picked the last vegetables of the year.   Saturday afternoon I spent time (and money) at Manyôdô, an enormous used-book store, and we all went out for lunch at Mignon, a tiny curry-rice restaurant we love near my in-laws' home.  I went out with my better half that evening, visiting some of our favorite restaurants and pubs in downtown Sendai, including
Peter Pan, the great rock kissaten (coffeehouse).  Sendai gave us a pre-taste of winter:  I wore my overcoat for the first time this year on Friday evening.
    In between all of the traveling, I tried to keep up with the remarkable sumo tournament taking place down in Fukuoka.  The great yokozuna
Asashôryû won with a 14-1 record, setting a number of extraordinary records along the way:  it was the first time any wrestler had won all six tournaments in a single year, as well as the first time anyone had won seven tournaments in a row.  Moreover, he set a new mark for most wins in a year at 84--meaning he averaged exactly one loss per tournament over the course of 2005.  Extraordinary--and he wasn't even the most exciting part of the tournament.  That honor goes to Kotoôshû, the Bulgarian wrestler who assured himself of promotion to the second highest rank of ozeki with a fine 11-4 record, including an exciting win over Asashôryu.  The tournament also saw the retirement of Kotonowaka, at 37 the oldest active member of the top division and a long-time favorite of mine.  I'm already making plans to attend the New Years tournament here in Tokyo next January....

 

Posted on 11/20/05:

     Another big week.  On Monday night, we visited the Fuchû no Mori Geijutsu Gekijô to hear the "Matthias Musicm Ensemble," a chamber group formed by members of the NHK Symphony Orchestra. It may seem that I have misplaced a "u" in their group name, but that in fact appears to be their official moniker.  The ensemble played well, but mostly familiar pieces--Mozart's Eine kleine Nacht Musik and Vivaldi's Four Seasons.  The one surprise was Carl Nielsen's arrangement for chamber orchestra of Bach's Chaconne, originally composed for solo violin:  quite moving, and as far as I can tell unavailable in recorded form. 
     Thursday, I attended the first day of the 29th International Conference on Japanese Literature at the
National Institute of Japanese Literature. A number of interesting presentations, including Stephen Dodd (University of London) on images of tuberculosis in the modernist fiction of Kajii Motojiro and Yamazaki Kayoko (University of Belgrade) on connections between Serbian and Japanese avant garde "little magazines" in the 1920s. 
     On Saturday afternoon, it was the
Shôwa Literature Association meeting at the University of TokyoTsuboi Hideto (Nagoya University) spoke on rethinking the concept of literature against a variety of contexts from the 1930s, especially the rise of a critical discourse surrounding the new mass medium of radio.  Ishikawa Takumi (Kyushu University) discussed the shift in the postwar mystery novel from private detectives to police officers--that is, a shift in the center of gravity from civil society to the state.  Murai Osamu (Wakô University), whom I studied with back when he was a visiting professor at Cornell, spoke on the various ideological uses of myth--whether it be the Japanese imperial foundation myths or Ainu legends--in the 1930s and 40s by such figures as Origuchi Shinobu and Kindaichi Kyôsuke
     Then Kang Sang-jung (University of Tokyo) delivered a masterful keynote lecture, a provocative rethinking of postwar Japanese history through the lens of East Asia.  Starting with the notion that August 15, 1945 represented a moment of defeat for Japan but liberation for Korea and other Asian nations, he asked how it was that only the defeated nation went on to enjoy prosperity.  The supposedly liberated nations walked straight into three decades of civil war and repression--a plight from which Japan often directly benefited.  He explored the current hysteria over North Korean kidnappings of Japanese citizens, not to excuse North Korea but to insist that these events have to be understood in a broader historical field, one that includes the "repatriation" of tens of thousands of ethnically Korean Japanese to North Korea in the 1950s and 60s at the behest of state powers on both sides of the Iron Curtain, and the 1973 kidnapping of the South Korean dissident Kim Dae-jung in Tokyo by the KCIA, with Japanese complicity.  He argued that Japan, with its wartime experience of state exhortations for  mass sacrifice in the name of the Emperor, should understand better than any other country the current North Korean regime and its hold on the people.  I can't capture, of course, more than a narrow sampling of the wide-ranging talk that Kang delivered.  I had seen him speak on television several times, but this was the first time to listen to him in person, and it was a riveting experience:   he has such a gentle, thoughtful way of presenting his razor-sharp critiques.

 

Posted on 11/13/05:

     An exciting, intense week just flew past at rocket speed:  perhaps you heard the loud whizzing sound.  The first few days were spent in a series of intense meetings between faculty from University of California and International Christian University, hammering out the curriculum for a new student exchange program.  Then, on Thursday, I spoke at the UCLA Asia Leadership Council meeting, held on the 49th floor of the Mori Tower in the spectacular Roppongi Hills complex.  The gathering brought together a remarkably high-powered group of business and NPO leaders, academics, politicians, etc.  The theme of the day was "sustainability."  My panel focused on sustaining culture in the midst of globalization; I did one of my usual raps on Japanese popular music and the impossible demands for "authenticity"--and the creative responses made by  musicians to those demands. 
      On Saturday, I attended the afternoon sessions of the conference on
"Parody in Japanese Culture" at ICU.  Kojima Yasunori (ICU) spoke on the school of the eighteenth-century Neo-Confucian philosopher Ogyû Sorai, demonstrating that we need to take into consideration both the 'hard' (serious thought) and 'soft' (parody) sides in considering Edo-period intellectual history.  John Mertz (University of North Carolina) spoke on Meiji-period fiction, arguing that rhetorical figures such as metaphor and parody functioned ideologically, allowing one to sidestep vertical problems of class and power by magically transforming them into horizontal givens of race and ethnicity.  And Kotô Tomoko (ICU) provided a thoughtful survey of parody in Chinese culture,starting with contemporary playful depictions of Mao Zedong and Cultural Revolution icons, and then moving backward to discuss Lu Xun and even Zhuang Zi
     Finally, a report on a topic of repeated conversations in our family the past few weeks.  In Japan, as elsewhere, when you visit someone's home you're supposed to bring a small gift for your hosts.  In Japan, in particular, fruit is appropriate:  our conversation began  a few weeks back after some guests brought us one of those lovely, gift-wrapped melons that you can buy in Japanese department stores, usually for around US$25.  Quite tasty, and of course a bit too expensive to buy for your own consumption, so a perfect gift.  As we devoured our melon, we started thinking about other kinds of fruit that you might bring as a gift, and we burst out laughing when one of us (okay, it was me) suggested bananas.  There is something deliriously inappropriate about bananas as a gift:  we can't quite put our finger down on why it is so wrong, but the very idea delights us.   And there was a story in the newspaper this week about bananas:  they are now the number one imported fruit here.  Ah, the lowly banana. so taken for granted.  The fruit of the common people.

 

Posted on 11/6/05:

     We're watching three different new tv dramas this season here.  All of them are keeping us reasonably entertained, but I'm not convinced we'll make it to the finish line with all three.  None is so outstanding that we couldn't bear to drop out halfway. 
     On Monday nights at 9:00 on the Fuji network, we're watching
Kiken na aneki (literally:  "Dangerous Older Sister," but the show's opening credits translate the title as "Dangerous Beauty").  The biggest ratings hit among this season's dramas, this is about as frothy as they come.  The story of a determined, albeit not terribly practical, young woman from the sticks who moves to Tokyo in order a). to find out why her fiance dumped her, b). to earn money to repay the huge debts her father saddled the family with before dying, and c). to complicate enormously the life of her younger brother, a dedicated medical intern.  The show involves hostess bars, lecherous old men, and numerous other stock figures:  in other words, it's a painless rehash of a thousand other Japanese domestic comedies, this time with the sister/brother relation at the center.
     On Thursday nights at 9:00 on TV Asahi, we tune into
Jukunen rikon ("Mature years divorce"?), notable primarily for its cast.  The great 1960s Nikkatsu action hero Watari Tetsuya plays a recently retired man whose long-suffering wife, played by the famous actress Matsuzaka Keiko, has suddenly announced (with the support of their grown children) that she wants to strike out on her own now that she has fulfilled her responsibilities to her family.  It's not like we can't see the ending of this from a hundred miles off.  Does anyone really doubt the couple will end up reunited after discovering they actually do love one another after all?   But there are still pleasures to be had along the way, I hope.  This show has also consistently shown up in the ratings top ten.
     Finally, also at 9:00 p.m. on Thursdays, on the TBS network, we're watching
Brother Beat, another domestic comedy.  Three young and remarkably handsome brothers try to find love and meaning in contemporary Tokyo.  They also try to raise their hapless mother, who since the death of her husband has basically given up on the idea of parenting--though not on the idea of interfering in the romantic lives of her sons.

 

Posted on 10/29/05:

     It's been hellzapoppin' (any Olesen and Johnson fans in the house?) around here lately.  Last weekend, my father-in-law was in town for a haiku gathering--I only wish my own life could be so elegant!  The kids enjoyed having Grandpa around, as did I and the better half.  The parental units even took advantage of the built-in babysitting opportunity to sneak out one evening to sample one of the local izakaya (pubs). 
      Also last weekend, I attended one day of the Tokyo branch meeting of the
Japan Modern Literature Association.  I listened to papers by, among others, Amano Chisa, who spoke on the early postwar writer Tamura Taijurô, looking especially at questions of narrating voice and historical memory.  I saw many old friends there and afterward went out for drinks and conversation with the folks I used to hang out with at the Tôhoku University Japanese literature department--very fun.  We ended up at a remarkable little Chinese restaurant in the back alleys of Kabukichô in Shinjuku, where we drank Tsingtao beer in mismatched cups and admired the advertising posters on the wall, which looked to be at least forty years old.  Alack, I had to leave early to catch the last trains out to the suburbs. 
     
I gave a guest lecture this past Thursday on the theories and history of nationalism in a class at ICU.  In between, spent my time trying to catch up on a flood of recommendation letters, referee reports, book reviews, etc.  I also managed to sneak in a visit to
Banthai, my favorite Thai restaurant in Tokyo, for lunch--my first visit there in fifteen years.  Things are hopping, like I said.

 

Posted on 10/9/05:

      I've been playing the role of culture vulture recently.  Tokyo is paradise-on-earth for pretentious artsy-fartsy, scholarly types.  It's one of the main reasons I'm here.
      A week ago Saturday, I caught the
"Cubism in Asia" exhibit at the National Museum of Modern Art.  Some striking pieces, but also much that reminded me of the bureaucrat-safe strain of humanistic art that held sway when I was a child--the sorts of paintings I remembering seeing on pamphlet covers, upscale advertisements, and above all in liberal protestant church publications.
      From the musuem, it was a short walk to the meeting of the "Meiji 30s Culture and Literature Study Group."  There, Professor Seki Reiko (Asia University), whose work on gender and Meiji literature I have admired for many years,  made a very useful presentation on the largely forgotten novelist Miyake Kaho, tracing her drift from the center of the literary world to its peripheries in the late 1890s.  At the meeting, I reconnected with some old friends, as well as made some new ones, so it was a very rewarding evening.
      Then, last Tuesday, I attended the
German Institute for Japanese Studies' History & Humanities Study Group, where graduate student Fabian Schaefer (University of Leipzig) made a fine presentation on media studies in prewar Japan, focusing especially on the work of Tosaka Jun and Koyama Eizô. I already knew a bit about Tosaka's remarkable work, but Koyama was entirely new to me.  And I was struck again by how damn smart many members of right-wing nationalist schools of thought were in the 1930s--scary, scary, scary.....

 

Posted on 9/28/05:

     The highlight of the week came last Sunday.  It may, in fact, have been the highlight of the year--perhaps of my entire life.  Well, no, I suppose my wedding and the births of my children stand out more, but this ranks just behind those.  As a birthday gift, my family gave me not just sumo tickets--but tickets to senshuraku, the final day of the 15-day tournament.  I arrived in Japan a few weeks before the Nagoya basho back in July, but was buried then in trying to learn my new job, and so I consciously (albeit mournfully) decided to sacrifice that tournament and all the pleasures it might bring.  At the same time, however, I vowed to  immerse myself in the September tournament here in Tokyo, and that is what I did.  And I had tickets for the final day!
       The basho opened with high expectations. 
Asashôryû, the great yokozuna from Mongolia, would be trying for his sixth straight championship, a feat that would tie him for the longest streak in sumo history.  On the very first day, however, he was upended by a young wrestler named Futeno.  Within a few days, the great up-and-coming Bulgarian wrestler Kotoôshu had emerged as the undisputed leader (he is sponsored, of course, by Bulgaria brand yogurt:  their logo appears, somewhat incongruously, on the kessho mawashi that he wears for the dohyô-iri ceremony each day).  All through the tournament I watched religiously, reacquainting myself with all the wrestlers in the top two divisions, relearning their little traits.  That's the real pleasure in being a sports fan, knowing all the players as quirky individuals

            The Bulgarian sekiwake performed so well that I began to fear he would wrap up the championship early—that is, before the final day.  The turning point came on Day 13.  Asashôryû, with a 10-2 record, would wrestle Kotoôshu, who was perfect at 12-0.  A victory by Kotoôshu would give him the championship outright.  The match lived up to all expectations—unless, that is, you are a purist who expects tidy, textbook sumo.  It was a take-no-prisoners street brawl, to hell with technique.  Kotoôshu seized the early advantage, and at one point even had Asashôryû turned around.  Normally in sumo, when you get behind your opponent and have a grip on the back of his mawashi, it’s all over.  But Asashôryû spun around ferociously and somehow managed to break Kotoôshu’s grip.  The two then lunged at each other, and when the smoke cleared, Asashôr had managed to topple the challenger.

            Kotoôshu, clearly unnerved, caved in again on Saturday, so the two were tied at 12-2 going into the final day.  Each won his regular match in convincing fashion, which meant they had to wrestle a special play-off match to determine the championship—and, Dear Reader, I was there!  Asashôryû won convincingly. Afterward, we stayed on to watch all of the trophy presentations and end-of-the-tournament ceremonies.  It was my sixth time to see sumo live, and by far the most exciting time yet.  I love visiting the Kokugikan arena; the wrestlers usually arrive by foot, so you can mingle with them on the sidewalk outside.  There were two wrestlers, for example, on the train I rode to get there, and my family—who joined me at Kokugikan a few hours after I arrived—brushed past the young Estonian wrestler Baruto (the first blonde sumo wrestler in history, if you can imagine it) on their way in.  I will be back in January for the next tournament in Tokyo. 

 

Posted on 9/17/05:

            The week began last Sunday with the national elections here, and the disheartening triumph of the ruling Liberal Democratic Party. Of course, I’m getting used to being disappointed by election results….The main opposition party, the Democratic Party of Japan, ran a campaign that was astonishing in its lack of inspiration. LDP leader Koizumi’s popularity is due, I think, mainly to the fact the people believe he really cares about things.  During the build-up to the campaign, he made statements along the lines of, I don’t care if I have to die, I’m going to get my postal reforms enacted.  The idea of dying for postal reforms is more than a little absurd, but as performance it worked. 

            That same Sunday evening, just around the time the voting ended, I was walking with my nine-year-old daughter past our dusty train station on the fringes of Tokyo.  Earlier in the day, she had received a much-belated birthday present:  two goldfish, her first-ever pets.  A soft rain was falling, and we were using umbrellas.  Around the fruit-and-vegetable stand in front of the station, I noticed two old men standing out in the rain.  Each was slapping the other on the back, wobbly with drink.  We walked faster and soon reached the neighborhood bento stand, a small booth with an order window where you can pick up a cheap and easy supper to bring home. 

            My daughter and I crowded under the overhang as we read the handwritten menus that are pasted all over the shack.  We decided:  she would have the curry rice dinner, and I the curry-rice-with-croquet.  I step up to the window and the younger of the two bento stand workers begins taking my order.  I’ve managed to order my daughter’s meal when suddenly I am jostled from behind.  One of the two drunks we had spotted a minute earlier has staggered up to the order window.  He thrusts his head in through the window to shout out something unintelligible to the bento stand owner, who is working in the back kitchen.  The drunk seems to know the owner, wants to tell him how good the world is, how much fun it is to be drunk.  The owner barely acknowledges him.

            I try to ignore the drunk and finish making my order.  The young man behind the counter ignores the distraction as well.  I step away from the window, toward my daughter.  That’s when the drunk man notices her, a nine-year-old blonde here on the fringes of Tokyo.  Shit.  I know he is going to say something, and so does my daughter:  I can see her freeze up.

            The man bends down, points at her, then looks at me.  Kawaiiiii! he stumbles over the word:  Cute!  We can smell the booze on him, even from a distance of several feet.  He sways slightly, as if gravity is trying to knock him off balance. 

            How old is she?  He questions.  I tell him she is nine.  Cute. Cute.  He stands up straighter now.  He’s trying to pull his scattered brain together to say something.  My daughter is still frozen in place, too panicked to know what to do. 

            I’m Korean, the man says, using the word Chôsenjin that is preferred by those Koreans in Japan who affiliate themselves with the north.  Back during the war, Americans…. He’s too drunk to finish his sentence.  I can’t figure out if he wants to say something positive about Americans (they saved my life) or negative (they killed my family). 

            There are two other Japanese customers waiting for their bento, their heads buried in the manga comic books the bento stand keeps on hand.  I can see their ears tuned in to the drama playing out here, but they aren’t going to be of any help if trouble starts.

            The drunk starts fumbling behind the collar of his white golf shirt, trying to get at something.  He finally pulls out the amethyst Christian cross he wears on a slender chain around his neck and displays it my daughter.  He mutters something like, Do you know this?  He tries to say the word:  Christa...Christa… but gets stuck.  He goes back to, Do you know this? My daughter is still frozen in place, unable to respond. 

            The drunk looks at me, perhaps in disgust.  She doesn’t know anything about it, does she?  He’s running out of things to say.

            To my relief, he turns away from us, back to the order window.   He staggers up to it again.  I pat my daughter on the shoulder and nod to her, trying to send the message that it’s okay, everything’s going to be fine.  The drunk is hollering something back to the owner in the kitchen.  The owner is responding now, trying to keep the drunk calm, trying, no doubt, to get rid of him.  I’m not listening to what they are saying. 

            Then the drunk comes back.  Go ahead and order you dinner, he says to me.  I tell him we’ve already ordered.  He staggers back to the window and bellows out to the owner, You liar, they’ve already ordered.  He reaches into his pocket and pulls out a small wad of bills.  He holds them up and says to me, in English, money. 

            He argues a bit more with the man behind the counter, who asks him, Did they say it was okay?  Now the drunk is getting belligerent, and I realize what is happening.  He wants to pay for our bento.  I step over and say, that’s not necessary, you don’t need to do that, but the drunk raises a hand to brush me off, and I’m afraid to insist further:  that could lead to a fist fight.  He hands a 5,000 yen note to the young man, who makes change.  The drunk nods to us and then staggers away from the booth, back toward the fruit-and-vegetable stand by the station.

            I turn to my daughter.  “Well, we’ve had our adventure for the day, now?,” I say, trying to make light of it.  She is still stone-tense.  “I think he had too much to drink,” I tell her.  She can’t see any humor in the situation, no matter how much I try to make light of it.  She wants to know how many beers he drank to get that drunk.  You can see she is worried:  if you can’t even be sure of adults, what sort of world is this?

            A few minutes later our bento are done.  I offer at the window to pay for them; they decline.  I ask if I may leave money so they can repay the drunk in the coming days, after he has sobered up.  They say no, that I shouldn’t worry about it, he was drunk, after all.  They are very apologetic, ask me not to get angry.  He was just drunk, they repeat.

            My daughter and I start walking home under our umbrellas.  We are supposed to stop at the convenience store next to the station to pick up some margarine, but as we near it I spot the drunk again, staggering around.  I turn my daughter in the opposite direction, hoping she doesn’t see him – or him her.  We can get margarine another day.

            We hurry home, my daughter asking more questions about the man—serious, humorless questions.  At home, she refuses to eat the curry-rice dinner at first, because she feels bad about it.  She doesn’t want to eat it because the man was so drunk.  He didn’t know he shouldn’t pay for us, she says.  It would be bad to eat it.  My wife and I convince her, though, that she should eat it:  it made the drunk man feel happy to buy us our dinner, we tell her.  She begins to pick slowly through the curry rice, finding no pleasure in it.  The world is not as nice a place as she thought it was just a few minutes earlier.  Her new goldfish swim around in their little aquarium, on a shelf by the dining table.

            The next day, by chance, I was able to treat my office staff to tea and coffee when we arrived too early for an appointment.  I was pleased to be able to do so:  I could finally spend the money that I had intended to use to buy my daughter and me dinner the night before.  It felt like I had atoned for a small sin. 

 

 

Posted on 9/11/2005:

It was a busy week, including visits to the campuses of Sophia University and the (very stately) Hitotsubashi University.  It continues to be hot and sticky here, but life is beginning to shape iself into a fairly pleasant routine.  I've managed to start jogging again--there's a lovely course that runs through Nogawa Park near our house--and even to spend a bit of time writing fiction.  
         Yesterday afternoon, I was killing time in one of the most pleasurable ways Tokyo provides:  browsing through the used bookstores in Jinbôchô.  I was in Yagi Shoten, a dignified, old establishment that specializes in heavy tomes of literary criticism, when my cellphone started ringing.  It was as if I had farted loudly:  the clerks behind the counter glared angrily at me as I bolted out the door to take the call.  After hanging up and setting my phone to silent mode, I sheepishly reentered the shop and resumed browsing through their collection of studies on Natsume Sôseki:  a whole bookshelf.
       A minute or two later, we heard another loud commotion:  the sound of Japanese drums and traditional Japanese singing on the sidewalk outside.  The clerks behind the counter sighed loudly and rolled their eyes, as if to say, "What next, oh Lord, what next?"
       I wandered outside and found several sumo wrestlers, dressed in colorful festival garb, carrying a drum and woodblocks, their leader singing out to the assembled crowd.  People were taking pictures and videos of them.  After they finished their performance, the wrestlers moved fifty yards down the sidewalk to another storefront and repeated it:  a quaint public relations campaign to remind everyone that the sumo tournament starts tomorrow at the Kokugikan in Ryôgoku.  I have tickets for the final day of the meet, two weeks' hence.  I can't wait.

 

Posted on 9/4/2005:

This past week, I celebrated my 44th birthday, an odd number:  it marks the beginning of the last year that I can describe myself as being in my "early forties."  Fittingly, perhaps, I was sick on the big day with an uninvited return visit by the stomach bug that wiped me out last month.  But we had a nice, quiet celebration at home.  The best present I received:  tickets to the final day of the upcoming sumo tournament. 
           The weather in Tokyo remains hot and muggy, though after the sun goes down in the evening, you can feel a hint of cooler, dryer air.  The election campaign is heating up here, meaning that the ever-present cicada cries will soon be joined by the sound of campaign cars circulating through our neighborhoods, broadcasting campaign messages over loudspeakers.  September 11th is the big day, and it looks now as though Koizumi's gamble will pay off:  the LDP is far ahead in most recent opinion surveys. 
          Finally, a political rant, set off by a week spent watching the horrific images from New Orleans on CNN:  why does George W. Bush always have to be told to do the right thing?  His indifferent response to Hurricane Katrina in the first days repeated his initial reaction to last year's tsunami.  When Bush was elected, we thought he was stupid and joked that we now had a president with no brain.  What we didn't know then, but what we've learned over the past several years, is that we also have a president with no heart.

 

Posted on 8/20/05:

We are now in our new house here in Tokyo, which is of course nice.  But it's been a bumpy start to our new life.  Almost immediately after we moved in, I was clobbered by a nasty intestinal virus that kept me in bed for nearly a week.  Ugly.  And it's put me completely off one of the great pleasures of a Tokyo summer:   cold beer. 
          In the midst of all that, we were visited by another major earthquake--not too bad here in Tokyo, but 7.2 on the Richter scale up in Sendai.  It took a nerve-wracking hour or two before we could get through on the phone to my in-laws there and confirm that everyone was fine.  They received a good shaking, but no injuries or damage, thankfully.  That makes two major quakes in our first month here....
           The whole family is addicted to a new television show, "Joô no kyôshitsu" (The queen's classroom), broadcast Saturday nights at 9:00 p.m. on the NTV network.  The show follows a sixth-grade classroom with a mysterious teacher:  utterly grim and humorless, she wears black from head to toe.  She singles out weak students and tells them that society has no use for them, that they might as well get used to doing everyone else's grunt work.  She sets students spying on one another, humiliates some pupils and plays favorites with others.  All the while maintains that this is for the best:  it prepares students for the real world.  Even parents and other teachers are afraid of her.  The story focuses on a handful of students in the classroom who refuse to adopt the dog-eat-dog ethic the teacher promotes and who try to maintain something like a normal sixth-grade life.  The young actors and actresses in the series are all terrific, and while the above might make the show sound quite grim, in fact it is funny and entertaining.  It seems, too, that we are on the cusp of a great revelation:  the preview for this week's episode hinted that we will finally learn what tragic past has turned the teacher into such a monster.  Stay tuned. 

 

Posted on 7/28/08:

We had a fine earthquake here last Saturday afternoon, 6.0 on the Richter scale.  I was watching sumo on tv when it hit.  I try to pretend that earthquakes don't bother me, but this one kept on rocking and rolling for more than a minute, and made itself harder and harder to ignore....Luckily, no major damage or casualties anywhere.  It was the strongest earthquake Tokyo has seen in thirteen years.  Just tonight we had an afterschock that came in at 5.1 on the Richter scale.  That's enough earthquakes for now. 
          The weather has made the transition from rainy season to hot, sticky summer.  I've been out on the town a little, seeing old friends, doing a bit of shopping, etc.  There's a new English-language used bookstore,
Bondi Books, in Kichijôji, just a couple of train stops away -- I know I'll be visiting them often. 
          One of the changes I've noted on this visit to Japan is a big improvement in the availability of exotic (to Japan, that is) fruits and vegetables.  Blueberries, for example, were once almost unattainable in Japan, but now are available, both fresh and frozen, in every supermarket.  Ditto for avocadoes and mangoes. 
          And rhubarb too, it would seem.  A friend has just given me a jar of rhubarb jam from Nagano.  I enjoy it every morning on my toast, and I remember a time, fifteen years ago, when I was wandering through an imported grocery store in Kichijôji and came across a solitary, wilted stalk of rhubarb, the first of its species I had ever encountered in Japan.  They wanted something outrageous for it -- maybe 500 or 600 yen (four or five dollars back then) -- but I gladly paid it.   I knew I was being silly:  in Minnesota, everyone has a patch of rhubarb growing in their backyard.  You don't buy rhubarb, any more than you go to the store to buy dandelions.   But I bought that precious red stalk.  I brought it home, sliced it up and sauteed it with plenty of sugar, and then ate it over vanilla ice cream.  Just as I hoped, it made me feel like I had grown fur all over my teeth.  Worth every damn yen.

 

Posted on 7/19/05:

It's been a whirlwind first few weeks here in Japan.  We have located a place to live, not too far from our various schools, but can't move in for a few more weeks.  So, I stay alone down here in hot, sticky Tokyo, while the rest of the family stays with Satoko's parents up in Sendai.  I've been up there a couple of times to visit already -- it's just a couple of hours away on the bullet train, and it's usually a good deal cooler up there than it is here.  Ah, summer in Japan.
          The new job is clearly going to keep me busy, but I like the staff I work with very much, and the students seem pretty cool, as well.  In the meantime, I'm trying to dip my toes back into Tokyo cultural life:  managed to visit a fine exhibit of twentieth-century Nihonga paintings by Kobayashi Kohei at the
Tokyo National Museum of Modern Art, and also went to a fine concert by the legendary singer Helen Merrill at the Blue Note Tokyo (the concert also featured a fun two-song set by her son, Alan Merrill, whose music has been on my mind much in recent months).  I've made contact with a few old friends, too, and no doubt will be doing much more of that in the coming months.

I've had ample opportunities to remember, too, how much I like riding the trains in Tokyo.  You find your self in the midst of all sorts of people:  folks in formal wear on their way to a wedding or funeral, young people dolled up to the nines, kids in school uniforms, etc.   On a subway last week, a thirty-something woman walked past me in a striking outfit:  a skin-tight ensemble that appeared to be black velvet, slacks and a strapless top, lined with leopard fur.  What really caught my eye, though, were her two daughters, aged about eight and four, who trailed along behind their mother, wearing the very same outfit.  The girls seemed to be out on the town, all dressed up, just like their mom.  The younger daughter grinned at everyone on the train. 
          This coming weekend, I'll be attending what is fast becoming an annual tradition:  a get-together of the UCLA modern Japanese literature faculty and grad students who are in Tokyo over summer.  Should be a fun evening.....

 

 

Posted on 7/1/05:

    Hello from Tokyo, where it is raining now--as it likes to do here this time of year.  Every year it starts raining in early June and keeps it up until mid July:  the rainy season. 
     I've been here two days now, as I begin taking on my new duties, which will keep me here for the next two years.  I haven't lived in Tokyo since 1989, so I'm very much looking forward to reacquainting myself with one of my favorite cities on earth.
     The last few weeks in Los Angeles were quite hectic, as we moved out of the house, watched our oldest child graduate from middle school, sat in on a number of graduate student exams, and tended to all the myriad other details that a trans-Pacific move involves.  At one point, I very cleverly shipped the computer on which was saved the only copy of our painstakingly constructed "to-do" list for the move.  But somehow we got through it, and here I am.  The rest of the family will join me next week, after our oldest returns to California from his class graduation trip to Europe
     I've had very little time to get out into the city since I arrived.  I expect to hit the bookstores and perhaps see a few movies this weekend.  There is a municipal election coming up here on Sunday, and so the entrance to the local train station is constantly barraged with supporters of one candidate or another loudly asking for votes:  election-campaigning, Japanese-style.  I've eaten ramen twice (both bowls good, but neither great), and am looking forward to the sumo tournament that starts Sunday.

 

Posted on 6/12/05:

     The past week was remarkably busy.  It began in Miami Beach, where I participated in a terrific workshop on Natsume Sôseki's Theory of Literature (Bungakuron, 1907), hosted jointly by Florida International University and the University of Florida.  Tom LaMarre, Joseph Murpy (the organizer), Masumitsu Keiko and I all gave papers that discussed Sôseki's literary theory in relation to psychology and the natural sciences, and as discussants we had Komori Yôichi, Norman Holland, and Atsuko Ueda.  A very stimulating day--and it ended with a private tour of the Wolfsonian Museum's fine collection of design.
     I flew back to Los Angeles on Tuesday, only to leave again Wednesday for Santa Barbara, where I received more training for the position I will take up soon in Tokyo.  I drove back home through rush hour traffic Thursday night--and in fact luck was with me, for the most part. 
     Last night, the whole family headed out to
Dodgers Stadium to watch the Twins beat the local nine, 5-3, with Justin Morneau (a member of my fantasy baseball team who has been notably unproductive of late) playing the role of hero.  This keeps my streak alive:  I've seen the Twins play in person at least once a season since the late 1970s. 
    
We're getting serious about packing now, and I've even started to clean up my office.  I'll be on the ground in Tokyo in just over two weeks.  Yikes.

 

Posted on 5/30/05:

     It promises to be a quiet Memorial Day in our neck of the woods--not quite as lively as the ones I remember as a child, growing up in Stillwater, Minnesota.  We always went downtown to Main Street, where I watched my father (a sergeant in the Minnesota National Guard then) and grandfather (a World War One veteran) march in the parade.  My cousins and I would scramble for pieces of candy--Tootsie Rolls, butterscotches, and peppermints--that marchers threw out into the crowd. I remember how we used to stand and place our hands over our hearts every time someday marched past carrying an American flag....
      We've spent much of the weekend packing, in preparations for our upcoming move to Tokyo.  We did sneak in a game of miniature golf at
Sherman Oaks Castle Park yesterday morning, and then friends came over for dinner--Thai take-out from the wonderful Sri Siam Cafe.  We'll miss their Green Papaya Salad when we're in Japan.
     I managed to finish a very rough draft of the working paper I will deliver at a workshop on Natsume Sôseki's Bungakuron (Theory of Literature) reconsidered from the perspective of psychology and the natural sciences
in Miami next week
     And one month from now, I'll be in lovely Tokyo.

 

Posted on 5/18/05:

     A week ago last Saturday, I was a discussant at the 11th Annual UCLA Graduate Students Japan Studies Symposium.  The day featured a number of very good papers delivered by students from a number of fields--including some of our own from here at UCLA.  All in all, a quite successful conference, put together entirely by our grad students.  It was fun, too, to see them act as organizers, trying to keep track of all the details. 
      The following Monday, Joan Fujimura (University of Wisconsin-Madison) gave an interesting lecture on "What Does It Mean to Talk About Japanese Science?"  She focused on what being Japanese has meant to biochemists involved in the Human Genome project--a very thoughtful presentation.  It was quite useful for me, in particular, as I prepare a talk I will be giving in Florida next month on Natsume Soseki's use of science in his literary criticism and theories. 
     My mother was here from Minnesota over this past weekend, a quick trip to visit us before our departure for Tokyo.  Among other things, she was able to join us for a piano recital in which our daughter played -- all done up quite nicely in the Grand Salon at the
Shutters on the Beach Hotel in Santa Monica.  After the recital we sat on the beach for a few minutes, running our toes through the sand and searching for sea shells.  
     And of course preparations for our big move across the ocean continue:  the latest task for me is to find a storage unit for our furniture.

 

Posted on 5/4/05:

            Time continues to hurtle past, oblivious to the fact that we have so many things to do in the next two months as we prepare for our move to Tokyo.  We did manage to sell our house in the past week to some very nice people who made a good offer.  So that is taken care of, and yet we've discovered--this being our first experience at selling a house--that it's a completely different beast from buying one.  When you shop for a house, you have the joy of living off dreams for several weeks:  you visit any number of houses and get to imagine what it would be like to live in each.  Moreover, you can savor the entertainment factor of observing up close the various lifestyles of a whole range of people:  why did the put shag carpet in the living room?  Who would paint their walls purple?. In selling a house, on the other hand, you get to enjoy few such dreams or desires:  you simply wait around, wondering how much money you will get.  Our sale seems to be turning out quite well, that is, but it hasn't been nearly as much fun as it was to shop for a house.
         In between open houses and visits to the escrow office, we've been running around, trying to keep up with life.  David Lurie of Columbia University gave an interesting lecture here last Monday on the origins of writing in Japan, and I spoke at the UCLA Asian Languages & Cultures Annual Alumni Lecture last night--the very best title I could come up with was "What Does the 'J' in J-POP Stand For?"  Not very inspiring, I confess, and I wasn't even able to provide a clear answer to my own question.  It did, however, provide me a chance to play some songs by Happy End to a captive audience--I'm something of a missionary for the band.  This coming Saturday, I'll be a discussant for one of the panels at the
11th Annual UCLA Graduate Students Japan Studies Symposium, too.  

 

Posted on 4/25/05:

     It's been a hectic, exhausting, and sometimes even fun couple of weeks.  It started when I and the Far Better Half took a Saturday night out on the town, as we enjoyed the rare gift of overnight babysitting services from my sister and brother-in-law.  The two of us spent Saturday night at a hotel downtown, had a lovely yakitori dinner in Little Tokyo, and spent a leisurely hour browsing the books at Kinokuniya (they even have a copy of my The Dawn That Never Comes on hand, in case you've been looking for one).  On Sunday morning, we went to the Japanese American National Museum to see the "Japan After Perry" exhibit of ukiyo-e woodblock prints of Yokohama in the 1860s and 70s -- and also, unexpectedly, "Lasting Beauty:  Mrs. Jamison and the Student Muralists," a moving recreation of a set of murals painted by high school kids interned in Arkansas during the war.  Then we were off to see the Sunday matinee performance at Disney Hall to see the Los Angeles Philharmonic play Dvorak and Smetana on Sunday.  Quite lovely, especially the brief Nocturne by Dvorak.  Alan Rich gave the concert a very positive review
      The following week, I was out of town for several days, up in Santa Barbara getting trained for my new duties as director of the University of California Education Abroad Program's Tokyo Study Center.  I returned just in time to get our house ready for an open house.  Then, this past Sunday, as hundred of prospective buyers were checking out our little piece of Los Angeles real estate, we headed off to
Old Town Pasadena, where our youngest played in a Suzuki Piano Graduation recital at the lovely Public Library.  
     The near future should keep us on our toes, as we gear up for our move to Tokyo, now barely two months off.  And we haven't even begun to pack....

 

Posted on 4/12/05:

            We finally managed to work our way through all twenty episodes of "Fuyu no sonata" (Winter sonata), the Korean soap opera that was enormously popular in Japan last year.  As I feared, they never did bring back Chieri, the evil schemer who enlivened the first half of the series, to play any sort of significant role.  They even made her give up her nasty girl haircut in the last episode--she went from intricately sculpted waves and curls everywhere to a conservative straight cut, a visual cue to her loss of power.  In place of Chieri's delightful machinations, what we got in the closing episodes were tears, tears, and more tears.  Everyone figures out who their father is (as with so many melodramas, restoration of the patriarchal order is the goal of the story here), and of course the hero and heroine end up together at long last. 
            The Twins' opening week of the season has been troubling.  A couple of key injuries (including a bum knee on the part of their #3 starter, Carlos Silva), some nervous defense by the rookies in our infield, and an apparent inability by our starting pitchers to get through the first inning without surrendering runs--all of it a source of worry....It's early, yes, but jeez guys, let's get it going, okay? 
Batgirl, as usual, sums up the state of the world quite nicely. 
            We look forward to the coming weekend:  we have tickets to see the
Los Angeles Philharmonic play Dvorak and Smetana on Sunday.  It will be our first visit to the main concert hall in Disney Hall. 

 

 

Posted on 3/22/05:

            It's nearly spring break now at UCLA, but the pace has hardly slowed down. For those of you keeping track of such things, yes, it is raining here again.
            The March 14 workshop I organized on Natsume Sôseki's 1907 Bungakuron (Theory of Literature) went quite well. We had interesting papers from Karatani Kôjin, Ann Sherif and Atsuko Sakaki. Karatani's paper situated Bungakuron against the "end of literature," both in Sôseki's day and in our own, while Sherif explored the differing relationships Soseki established with the audiences of his writings, and Sakaki provided an intriguing reading of the contrast between the concepts of "language" and "literature" in Sôseki's thought. We also had a productive roundtable session with Josephy Murphy, Atsuko Ueda, and myself--the three organizers of the huge Bungakuron project that should keep us all busy for the next couple of years. The next step in the project is a workshop in early June in Miami, which will focus on Sôseki's literary theories from the perspectives of psychology and the natural sciences.
            In a couple of days, I drive down to San Diego to attend my first-ever Popular Culture Association annual meeting. I am part of a panel on the Kinks--my paper is cleverly called "Za Kinkusu: Ray Davies and the Rise and Fall and Rise of Japanese Rock 'n' Roll." I haven't the foggiest idea what to expect from either the conference or the panel, but am looking forward to both.
           
And when I'm not working on any of the above, I'm either watching the current sumo tournament, which after ten days looks to be another Asashôryu walk-away victory, or listening to Internet broadcasts of Minnesota Twins' spring training games from Florida.

 

 

Posted on 3/12/05:

            Sorry for the paucity of activity here lately -- we've been having computer troubles and have switched to our back-up machine, a hand-cranked antique that uses Windows 98. This makes it a challenge to do anything complicated -- like update this site.
            But enough about me. How are you?
            It's been a busy couple of weeks here at UCLA. John Treat gave an interesting lecture a couple of weeks ago on the sudden boom in depictions of Multiple Personality Disorder over the past decade in Japanese popular discourse and fiction. And Kyoko Inoue gave a talk last week exploring how the concept of jinkaku ("personality" or "personal character") has seen contradictory uses in Japanese education and intellectual life since the late nineteenth century. In addition, our department organized a very nice dinner to honor two genuinely beloved colleagues who will be retiring soon: Noriko Akatsuka and Herbert Plutschow.
            I'm currently neck-deep in the final preparations for a March 14 workshop I am organizing, part of a multi-year project I am helping put together that aims to start a conversation on Natsume Sôseki's 1907 Bungakuron (Theory of Literature). I am also working on a paper I am supposed to present at the Popular Culture Association annual meeting in San Diego in late March, a discussion of the impact of the Kinks on Japanese rock and roll.
            The best written lines I've encountered in the past week. from Ardashir Vakil's novel Beach Boy, describing one of the characters from the perspective of the young boy who narrates: "By far the most important aspect of her face, unless caught in a moment of utter privacy, is that she is always smiling. To get to know Mrs. Verma, one needed to comprehend the hundred variants of her smile."

 

 

Posted on 2/26/05:

            As you have probably heard, we have again been buffeted by rains here in Los Angeles. They finally stopped a few days ago, but the Pacific Coast Highway remains closed between Malibu and Santa Monica. This shouldn't affect us directly--except that all of the people who would normally drive that route are now trying to cram themselves into the streets we do use for our commute. Our usual forty-minute drive has taken at least twice that long, both morning and night, for the last couple of days. One of the things I am most looking forward to about our move to Tokyo this summer is life without a car....
            The highlight of my past week was my first-ever visit to Yale University, where I gave a talk on the film music of Kurosawa Akira and the boogie-woogie queen Kasagi Shizuko. It was nice to visit some old friends, meet some new ones, and to see a bit of the campus. I landed in the middle of a snowstorm that eventually dumped five inches on New Haven, but at least it wasn't rain.

            The coming weeks bring a lecture here at UCLA by John Whittier Treat on February 28 and, on March 14, a workshop I am organizing, part of a multi-year project I am helping put together that aims to start a conversation on Natsume Sôseki's 1907 Bungakuron (Theory of Literature). I am also working on a paper I am supposed to present at the Popular Culture Association annual meeting in San Diego in late March, a discussion of the impact of the Kinks on Japanese rock and roll. I am keeping busy, in other words.

 

 

Posted on 2/14/05:

     The week started out last Monday with a very interesting lecture at UCLA by Margherita Long (UC-Riverside) on Tanizaki's Yoshino Kuzu, a rebuttal of standard psychoanalytic readings of the story that revolve around Oedipal paranoia about being suffocated by the mother's body.  Instead, Long used close readings of key passages of the story (esp. those related to papermaking) to argue that it relies on a more joyful, unthreatening view of the maternal body.   Then, later that evening, I attended a screening of some of acclaimed director Kawase Naomi's early autobiographical documentary films at REDCAT in Disney Hall.  Kawase herself was in attendance to introduce the films.   
     
The week ended with the
Grammys show on tv--which was unusually fun this year.  How great to see James Brown pull off a few fancy dance steps--as well as to see Usher give the Godfather his props.  It was a nice mix all the way through:  Kanye West with the Blind Boys of Alabama and Mavis Staple, the great assemblage of Southern rock dinosaurs, the oddball grouping of stars for the Tsunami charity version of "Across the Universe" (Slash with Brian Wilson?  Bono with Stevie Wonder?), Loretta Lynn looking genuinely overwhelmed even as she tried to sass her way through her acceptance speech, etc., etc.  It all worked because the focus remained firmly on the music, where it belonged.  It doesn't hurt, too, that the Grammy folks  have decades of bad decisions they can make up for now by giving out honorary Lifetime Achievement awards to deserving folks who never won a Grammy--Janis Joplin, the Carter Family, etc.  Maybe next year they'll hand them out to Beethoven and Mozart....
      Hope y'all have a Happy Valentine's Day!

 

Posted on 2/6/05:

     One tries to ignore the noises coming out of Washington, D.C. this week, the patent dishonesty of Bush's claims about wanting to 'save' Social Security:  the man is on record for more than a decade (from before there was even a whisper of a 'crisis') as wanting to replace the system with private accounts.  As many have pointed out (including me here), we are witnessing a repeat of the Iraq phony war here:  a crisis manufactured to justify a radical ideological agenda that couldn't stand scrutiny on its own.  The Democrats seem a bit more organized in their opposition this time; perhaps we will have an opposition party for a change....
     And so the professor in La-La-Land tries to focus on his scholarship, which is of course what sabbaticals are for.  Except that administrative work of various sorts keeps popping up left and right--proving once again the verity of an old professorial adage:  get yourself out of town when you go on sabbatical.  I shouldn't complain, of course:  the load isn't that heavy, most of it is work I've taken on willingly myself, and I will be disappearing from Los Angeles for two years starting this summer.  At any rate, I spend my weekday mornings in hiding at a secret location on campus, reading and writing, and then spend my afternoons in my office, trying to catch up on various duties and tasks.  When I can, I sneak in an hour or two of fiction writing, though never with any sort of regularity.   As usual, it's a catch-as-catch-can life here.    

 

Posted on 1/25/05:

     This past Friday and Saturday I helped host the big "Translating Universals:  Theory Moves Across Asia" here at UCLA.  It was a bit chaotic logistically—not surprising, given the large number of participants and the complexities of coordinating the requirements of multiple sponsoring agencies—but it all came off without any major breakdowns.  The papers and discussions were quite provocative and informative.  The final panel in particular, which brought together four important intellectuals from across East Asia to discuss the problematics of translating critical and literary theory today, was especially exciting, at least for me.  As is often the case after these sorts of events, I find myself taking up a skeptical anthropologist's stance toward the academic ritual known as 'the conference,' wondering why these events invariably replicate the same old structures.  But it was a wonderful opportunity to bring together a remarkable group of very smart people and watch how they interacted. 
       With that conference behind me, I can turn back to my own research now, in particular preparations for two upcoming events: 
a lecture I will give at Yale next month on the early postwar films of Akira Kurosawa and the music of the boogie-woogie queen of Japan, Kasagi Shizuko, and a workshop to be held here at UCLA in March on Natsume Sôseki's 1907 landmark work of literary theory, Bungakuron (Theory of Literature).  The latter is part of a big project I am helping organize that aims to translate and launch a scholarly discussion of Bungakuron and similar texts by Sôseki.

 

Posted on 1/17/05:

     It was a quiet Martin Luther King, Jr. Day weekend at our place; we certainly appreciated the three-day weekend.  We even barbequed steaks in the backyard for lunch today, in celebration not only of the good reverend King but also of the warm, sunny weather that has thankfully returned to Los Angeles
     Satoko and I have started watching Fuyu no sonata (Winter Sonata), the Korean soap opera that became a runaway hit on Japanese television last year--it's just now being rebroadcast on
TV Japan here in the U.S., finally.  And I've been watching the sumo tournament which is now through day 9 (of 15 total) and is turning into a rout for the great Monogolian yokozuna (Grand Champion) Asashôryû, who is 9-0 at this point with the nearest challenger two back at 7-2.   
     This coming Friday and Saturday will be the big
"Translating Universals:  Theory Moves Across Asia" conference I am co-organizing here at UCLA.  The out-of-town participants are already starting to trickle into Los Angeles.   It's looking to be a very exciting event.  We'll be bringing together specialists on China, India, Japan, Korea, Taiwan and Vietnam, with participants coming from universities across Asia, Europe and North America
       And I continue to enjoy being on sabbatical leave very much, thank you kindly. 

 

Posted on 1/11/05:

     And so it rained and rained and rained.  Finally this morning the rain stopped and the sun came out.  And it still took us more than three hours to drive the twelve miles from our house to UCLA, because mudslides had taken out every road leading from the San Fernando Valley to Westwood.  We are, to put it mildly, sick of rain here. 
     In the midst of all that rain, Satoko and I spent the past weekend in Rancho Cucamonga.  The primary purpose of the getaway was to visit the marvelous
Sam Maloof Foundation, where we toured the famous craftsman's house and saw many examples of his remarkable chairs and tables.  Through a window, we also caught a fleeting glimpse of the man himself, sitting at his workbench, pounding away at a new creation.  Later that day, we inadvertently stumbled into the Ontario Mills Shopping Center, a staggering (well, I was staggering) agglutination of discount outlet stores--and so we shopped, because it was pouring rain outside.  And then we ate and drank and even watched a movie.
     UCLA classes have started up again now, though I'm not teaching this quarter--or next.  I am keeping busy, however, with research and with final preparations for the January 21-22, 2005
"Translating Universals:  Theory Moves Across Asia" conference I am co-organizing.  It's looking to be a very exciting event.  We'll be bringing together specialists on China, India, Japan, Korea, Taiwan and Vietnam, with participants coming from universities across Asia, Europe and North America

 

 

(Entries for the year 2004 can be found here; those for 2003 can be found here.)

 

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